On the Comparative Analysis of the Eurasian Region Cultures

An early article is devoted to the study of concept Eurasianism in context comparative art history. The presented emphasizes that modern history requires methodological innovations will reveal features not only national specifics music, but also parameters its dialogue with other cultures. discusses musical genocide as an analogue innate program determines vectors artistic culture evolution. As a result, it possible determine both universal ethnocultural and specificity regional conditioned properties culture. purpose research Eurasian methodology lies method historicism. Of fundamental importance, he can logic historical thinking. prospect using historicism possibility approaching complex whole movement, unity development constituent parts. Behind variety manifestations, main, common lines Eurasia are being built. scientific novelty undertaken this form number provisions analysis. For example, gene formula, typological series. Conclusions. category formula formulated historically sign function generated by collective experience ethnos has semantic meaning. At same time, defines specific type pitch ensures vitality music realizes identity